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1st floor, Flat/Office 11 , Limasol, Zypern. Casino Mr. James wird unter der Master-Lizenz /JAZ betrieben, gewährt von der Regierung von Curaçao. Der Spielfilm Casino Royale aus dem Jahr ist eine Parodie auf die bis dahin erschienenen James-Bond-Filme. Der Titel entspricht dem ersten. Aug. Die offizielle Adaption des Romans von Bond-Schöpfer Ian Fleming. Im französischen Royale-les-Eaux hat Bond den Auftrag, den. Er ist sich darüber im Klaren, dass er seinen Dienst quittieren muss, damit sie beide eine gemeinsame Zukunft haben, und Beste Spielothek in Wilhelmshof finden auch zu diesem Schritt bereit. Fülle gebrauchtwagen in ludwigshafen Formular aus 2. Sie stellt sich jedoch als deren Tochter heraus. Zur Vergeltung wird Lynd vor Bonds Augen entführt. Inspektor Mathis Graham Stark: Ankorheute um Idiot85gestern um Chef de Partie Jürgen Tarrach: Als Peinlichkeit bezeichnete Beste Spielothek in Molln finden aber den Titelsong von Chris Cornell. Eine fußball deutschland norwegen Version folgte November in den deutschsprachigen Kinos. In Beste Spielothek in Kettenreith finden Projekten Commons Wikiquote. Cryptoheute um

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Detta gäller även de allra populäraste speltillverkarna. FunCasino Casinoland Mobilbet Scandibet. Detective Sherlock Holmes and his stalwart partner Watson engage in a battle of wits and brawn with a nemesis whose plot is a threat to all of England.

Jason Bourne dodges a ruthless C. James Bond goes on his first ever mission as a Le Chiffre is a banker to the world's terrorists.

He is participating in a poker game at Montenegro, where he must win back his money, in order to stay safe among the terrorist market. Bond, using help from Felix Leiter, Mathis and having Vesper pose as his partner, enters the most important poker game in his already dangerous career.

I have enjoyed this film so damn much! I love this film to death, from action sequence to actors and the plot story I love it.

The film is very realistic serious well portrayed it has no jokes. It is my favorite because it is action, action, action and even more action.

Casino Royale is the twenty-first spy film in the Eon Productions James Bond film series, and is the third screen adaptation of Ian Fleming's novel of the same name.

I'm a hard-core James Bond fan I love a lot of the films that over 50 years were made. Casino Royale is simply my third favorite James Bond film it is in my top 10 favorite James Bond films.

This movie is interesting totally mind-blowing. It is highly entertaining, espionage with a lot of action sequence. Not boring or lame but believable well acted.

Wilson and Barbara Broccoli fired actor Pierce Brosnan because he wanted too much money to shoot a fifth Bond movie, and producers had already decided to reboot the long-running spy saga with a grittier approach.

Daniel Craig ultimately took over the role for 's Casino Royale and has gone on to achieve success as arguably the most popular since the days of Sean Connery.

Eva Green as the new Bond's girl Vesper Lynd did an excellent performance and a fine job playing James Bond's first true love.

Green and Craig have electric chemistry on screen together. Vesper's character seems ambiguous, impudent and complicated. One night-slumped in the shower fully clothed, radiating inner beauty-her quiet look is capable to melt Bond's cold heart and free his doubtful mind.

In another, she disconcerts him with her pretty 'Algerian love knot. Judi Dench as M is always awesome and she did a fantastic well done job.

I love the actress and I had a blast watching her on screen. Mads Mikkelsen is the villain banker Le Chiffre Mads Mikkelsen who tries to get rich in supplying funds for terrorists.

The actor did incredible job as the main villain and I really absolutely loved his performance. The Italian actress Caterina Murino plays Solange who reveals her sexy side as the frustrated woman so upset in her marriage.

Armed with a license to kill, Secret Agent James Bond sets out on his first mission as , and must defeat a private banker to terrorists in a high stakes game of poker at Casino Royale, Montenegro, but things are not what they seem.

Bond Daniel Craig is chasing a terrorist bomber Mollaka Sebastien Foucan who was contracted by terrorist organization to make and sell a bomb.

While Bond chases him he has to jump on a several sky cranes and on a building to continue the chase. Real stunt performance from stunt man and actor Daniel Craig.

Bond pursues Dmitrios to Miami airport kills Dmitrios with a knife in self defense tracks down another bomber.

Bond stops the terrorist and takes the bomb away from the airplane. Saves all the passengers and the plane.

Great tanker truck chase on the airport. Great action sequence Bond saves over lives in this movie that is why I love it so much.

Bond stops the tanker before hitting the plane with all the gas and the bomb attached to it and he attaches bomb on a terrorist. Bond has to fight Le Chiffre in high poker game with Felix Leiter.

Bond kill's two black men in which Le Chiffre lost their money and single handle with fists kill's them. Bond is such a bad-ass in this movie.

Le Chiffre and his blond girl Valenka Ivana Milicevic poison Bond's martini with digitalis, causing Bond to suffer severe tachycardia.

Bond runs to his car for defibrillator but passes out. Vesper Lynd comes and save's his life. Bond comes back in to Casino finishes the game and beats Le Chiffre at the game.

Casino Royale is my third favorite film in the Bond saga and I love this movie to death! I love it so damn much!

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He chose to use the original Bond and Vesper as linking characters to tie the story together. In the originally released versions of the film, a cardboard cutout of Sellers in the background was used for the final scenes.

In later versions, this cardboard cutout was replaced by footage of Sellers in highland dress, inserted by "trick photography".

Signs of missing footage from the Sellers segments are evident at various points. Evelyn Tremble is not captured on camera; an outtake of Sellers entering a racing car was substituted.

Out-takes of Sellers were also used for Tremble's dream sequence pretending to play the piano on Ursula Andress ' torso , in the finale - blowing out the candles whilst in highland dress - and at the end of the film when all the various "James Bond doubles" are together.

In the kidnap sequence, Tremble's death is also very abruptly inserted; it consists of pre-existing footage of Tremble being rescued by Vesper, followed by a later-filmed shot of her abruptly deciding to shoot him, followed by a freeze-frame over some of the previous footage of her surrounded by bodies noticeably a zoom-in on the previous shot.

As well as this, an entire sequence involving Tremble going to the front for the underground James Bond training school which turns out to be under Harrods , of which the training area was the lowest level was never shot, thus creating an abrupt cut from Vesper announcing that Tremble will be James Bond to Tremble exiting the lift into the training school.

So many sequences from the film were removed, that several well-known actors never appeared in the final cut, including Ian Hendry as , the agent whose body is briefly seen being disposed of by Vesper , Mona Washbourne and Arthur Mullard.

For the music, Feldman decided to bring Burt Bacharach , who had done the score for his previous production What's New Pussycat?

Bacharach worked over two years writing for Casino Royale , in the meantime composing the After the Fox score and being forced to decline participation in Luv.

Lyricist Hal David contributed with various songs, many of which appeared in just instrumental versions. The title theme was Alpert's second number one on the Easy Listening chart where it spent two weeks at the top in June and peaked at number 27 on the Billboard Hot It is played in the scene of Vesper Lynd recruiting Evelyn Tremble, seen through a man-size aquarium in a seductive walk.

It was heard again in the first Austin Powers film, which was to a degree inspired by Casino Royale. Bacharach would later rework two tracks of the score into songs: A clarinet melody would later be featured in a Cracker Jack commercial.

As an in-joke, a brief snippet of John Barry 's song " Born Free " is used in the film. The original album cover art was done by Robert McGinnis , based on the film poster and the original stereo vinyl release of the soundtrack Colgems COSO That record has been regarded by some music critics as the finest-sounding LP of all time, and is still highly sought after by audiophiles.

The soundtrack album became famous among audio purists for the excellence of its recording. It then became a standard "audiophile test" record for decades to come, especially the vocal performance by Dusty Springfield on "The Look of Love.

The film soundtrack has since been released by other companies in different configurations including complete score releases.

The highly regarded master tapes were damaged, however, during a s remastering so none of the subsequent re-releases are considered to be as fine as the original LP release.

However, during filming the project ran into several problems and the shoot ran months over schedule, with the costs also running well over.

When the film was finally completed it had doubled its original budget. The problems postponed the launch until April Casino Royale had its world premiere in London's Odeon Leicester Square on 13 April , breaking many opening records in the theatre's history.

No advance press screenings of Casino Royale were held, leading reviews to only appear after the premiere. Writing in , Danny Peary noted, "It's hard to believe that in we actually waited in anticipation for this so-called James Bond spoof.

It was a disappointment then; it's a curio today, but just as hard to get through. In fact, I recommend you see it on television when it's in a two-hour including commercials slot.

Then you won't expect it to make any sense. A few recent reviewers have been more impressed by the film. Andrea LeVasseur, in the AllMovie review, called it "the original ultimate spy spoof", and opined that the "nearly impossible to follow" plot made it "a satire to the highest degree".

Further describing it as a "hideous, zany disaster" LeVasseur concluded that it was "a psychedelic, absurd masterpiece".

It is the anti-auteur work of all time, a film shaped by the very zeitgeist it took on. In his review of the film, Leonard Maltin remarked, "Money, money everywhere, but [the] film is terribly uneven — sometimes funny, often not.

The website's critical consensus states: Fox has since been responsible for the debut of the Casino Royale on Blu-ray disc in Danjaq LLC , Eon's holding company, is shown as one of its present copyright owners.

From Wikipedia, the free encyclopedia. This article is about the film. For the film, see Casino Royale film.

For other uses, see Casino Royale. British cinema poster by Robert McGinnis. Famous Artists Productions [1].

James Bond portal s portal Film portal. These figures refer to rentals accruing to the distributors. Retrieved September 12, Bisset, after playing the casino extra in early footage, was cast again as Miss Goodthighs.

The Encyclopedia of British Film. Federal Reserve Bank of Minneapolis. Retrieved 2 January Archived from the original on 14 March Retrieved 9 March When the Snow Melts: The Autobiography of Cubby Broccoli.

The Grey Fox of Hollywood. Archived from the original on 28 September Retrieved 13 September Trippin' with Terry Southern: Archived from the original on 29 October Archived from the original on 13 April Retrieved 13 April Archived from the original on 24 September Archived from the original on 16 August Retrieved 25 July A Biography of Peter Sellers.

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Casino Royale has the answers to all my complaints about the year-old James Bond series, and some I hadn't even thought of.

I hope Craig finds more moments like that in Bond. And I hope he gets to wear that tuxedo again and again and again. I consider Daniel Craig to be the most effective and appealing of the six actors who have played , and that includes even Sean Connery.

James Bond is back, and as it turns out, he's been gone a lot longer than anyone even realized. And the new Bond is blond. Daniel Craig has comfort ably slipped into the tuxedo, size , and left audiences shaken and stirred.

When Bond kills an adversary in a hotel stairwell, the violence is nasty and brutal - and you feel bystander Vesper's shock and revulsion too.

She doesn't merely wince and get over it, as so many of her predecessors did; she's clearly traumatised.

Casino Royale is exactly what the franchise needs to keep in the game against the Bournes and Missions: Impossible of the world. This is a much more serious Bond than we've seen in many years.

Daniel Craig inhabits the dark side of the secret agent really well, he is absolutely the best Bond since Connery. Craig's humanised, more flawed interpretation of the role balances Campbell's physical direction and co-writer Paul Haggis's sparing wit, while Eva Green provides an alluring love interest.

Rebooting a film franchise can often come across as an act of desperation: Perversely, the more successful a given reboot is, the easier it seemingly becomes to pull this same trick again the second that a particular instalment mildly underperforms.

It may seem hard to believe in an age of cinematic universes where knowledge of superhero continuity is a badge of honour - but then we remember that Spider-Man and Superman have both been rebooted twice in the space of a decade.

Die Another Day marked the Bond series' 40th anniversary in the most deeply disappointing way possible, serving up a glorified greatest hits compilation which played out like reheated leftovers.

Faced with its deserved critical kicking and Pierce Brosnan's subsequent departure, the guardians of the series must have felt that starting from scratch and going back was the only way forward.

Casino Royale is a worthy exception to the rule that reboots are pointless and underwhelming, delivering just the sort of reinvention that the franchise needed.

It may even be the best film in the entire series. Part of the secret behind the Bond series' longevity is that it has always adjusted its character and storylines to the culture and politics of a given period.

Sometimes it has done this so nakedly that the films in question date badly, whether it's Live and Let Die's attempts at aping Shaft, The Man with the Golden Gun cashing in on Enter the Dragon, or Moonraker trying and failing to be the next Star Wars.

Often Bond has been at his best when he acknowledges his mortality and the world changing around him, while retaining the character elements which made him so popular in the first place.

Goldeneye made a big deal about the Cold War ending, but it still felt like a story in which Bond had a rightful place.

The spectre hanging over Casino Royale, and indeed all of the Daniel Craig era, is the Bourne series. The first three films shifted the goalposts of what constituted a modern action-thriller, innovating with its gripping storylines, sharp camerawork and relatable yet remarkable protagonist.

Even Brosnan admitted that the series would have had to raise its game in the face of what The Bourne Identity did; watching that and Die Another Day now, it's hard to believe that they came from the same decade, let alone the same year.

Casino Royale manages to match The Bourne Supremacy for quality, borrowing some of its aesthetic touches particularly in the chase sequences while also capturing the intrigue of Ian Fleming's original novel.

Like Paul Greengrass, Martin Campbell understands the need to knit action and character scenes together to create a holistic, gripping package; the action feels like an integral and natural part of the drama, rather than interrupting it in order to show off the budget.

Campbell brings the same calm, steady and methodical touch that he brought to Goldeneye; having saved Bond from irrelevance once, he does it again in some style.

Skyfall so often gets praised for acknowledging Bond's past while still being modern and relevant, but Casino Royale manages to pull off this same trick, and arguably does it slightly better.

Where Skyfall consciously tips its hat to the older films through costumes, characters or props such as the iconic Aston Martin DB5 , Casino Royale is more subtle; all the classic elements are there, but they've been modernised and refined so that they make more sense in the real world.

It's still fitting for Bond to drive an Aston Martin, and it's a nice touch to see its distant predecessor roll by. But it wouldn't make sense for Bond's car to have many gadgets that he doesn't need, and having the car be wrecked to save Vesper makes complete sense.

Where Roger Moore or Brosnan's films glorified the gadgets, this restores some welcome credibility and keeps the hardware under wraps unless absolutely necessary.

Along these same lines, the screenplay takes all the best elements of Fleming's novel and transposes them into a contemporary setting.

It still has all the glamour of the classic casino scenes from the Sean Connery era, but the playful banter and flirting has been replaced with high stakes, tense glances and much more serious consequences.

Le Chiffre's relationships with arms dealers and dodgy speculation on the stock market felt current for its day and still feels very fresh; great effort is expended to ground the character's motivations while maintaining an air of intrigue, mystery and threat.

The film takes itself seriously, but not too seriously; it wants to have fun, but it puts credibility above out-and-out entertainment, unlike many of Moore's entries in the canon.

Le Chiffre's characterisation is also an interesting departure from what the Bond villain archetype has become. Where the likes of Drax, Stromberg and Blofeld wanted to single-handedly destroy or take over the world, Le Chiffre is essentially a middle-man; he is to the Craig era what Kristatos was in For Your Eyes Only, but better written and with a more interesting, more murky motivation.

Like Bond, he is ultimately a pawn of bigger forces who struggles at times not to buckle under the pressure as the torture scene demonstrates ; by making him so small, he becomes more believable and more intimidating, even without the bleeding eye.

He may look like the lead singer of Franz Ferdinand in his haircut and dress sense, but Mads Mikkelson plays him brilliantly, bringing a cold, dead-eyed feel to the character which both intrigues and repulses an audience.

Creating convincing poker scenes in films is pretty difficult. The vast majority of efforts go for a highly stylised or choreographed approach, where audience expectations are pandered to through needless editing trickery; think of the final hand in The Cincinnati Kid, or the royal flush sequence in Maverick.

Casino Royale's poker scenes may be more stylised than those in, say, The Sting or Rounders, but they are still very well-executed with good pacing and a frisson of unpredictability.

What really makes them work, however, is the build-up in the script; there are little poker motifs dotted throughout, with comments about tells and misdirection.

Because the film makes such a big theme out of bluffing and people not being what they seem, the card games don't feel like isolated set-pieces, and the later developments with Mathis and Vesper feel credible and yet still surprising.

It isn't just that both characters ultimately don't make it past the final reel; the characters are both instrumental in the making of Bond, an affront and a challenge to his impulsive, playboy instincts and a safe refuge from the madness of his job and the people he has to kill.

Eva Green is every bit as gripping and electric on screen as Diana Rigg before her; Vesper goes toe-to-toe with Bond and we get genuine character development, making her betrayal and death all the more shocking and heartbreaking.

Craig's Bond is a changed man by the end of the film - it's just a pity that the resolution to his heartbreak in Quantum of Solace was as underwhelming and mishandled as the similar attempt in Diamonds Are Forever.

The heartbreak surrounding Vesper brings us onto another of Casino Royale's great successes: Desmond Llewellyn's Q may have advised Bond that he should never let his enemies see him bleed, but the best Bond films have never been afraid of putting him through the mill, getting him into dangerous situations which can only be resolved at great cost - a cost often numbed by women and alcohol.

The fight scenes in Casino Royale feel brutal, just as they should do; it isn't interesting to have someone waltz through conflict as though it was nothing.

The torture scene and the defibrillator scene are great in isolation, but they are matched by Bond's emotional torment of losing Vesper.

For the first time since Timothy Dalton's era - or Goldeneye at a push - Bond's pain feels real and meaningful.

All of which brings us to Daniel Craig as Bond. While his subsequent films have been hit-and-miss, his performance here is more than enough to silence those who criticised his casting all those 'James Blonde' jokes sound all the more desperate now.

He takes the suffering and burnt-out approach that Dalton brought and fuses it with some of Connery's unabashed cool to create a truly modern and contemporary Bond.

He also has the confidence to eschew convention as much as he chooses to reflect or inhabit it; we get a build-up to a cliched sex scene, but then he's quickly on his toes and back to the plot.

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